Events

Oct
28
7:00 PM19:00

Black Mountain Institute Presents She Who Has No Master(s): Food, Memory, Mythology (Las Vegas, NV)

Spend a decadent evening with Vietnamese poets, writers, performance artists Dao Strom, Stacey Tran, and Vi Khi Nao. With Vietnamese cuisine like bánh cuốn or cuộn giấy or bánh xèo, Dao, Tran, and Nao explore the imagined future of language and food through matriarchal mythologies. Collaborate in a performance-based, sculptural Vietnamese feast made of words, food, and diaspora.

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Nov
14
6:30 PM18:30

Reed College Visiting Writers Series: She Who Has No Master(s)

She Who Has No Master(s) is a project of multi-voiced collectivity, hybrid poetics, encounters, in-between spaces and (dis)places of the Vietnamese diaspora. Through a collaborative art process and social engagement interaction(s), they endeavor to bring into concert the voices of women writers of the Vietnamese diaspora. They define writing as art that has storytelling at its core, but may express itself in hybrid, performance, visual, musical/aural, and interdisciplinary forms. This event includes: Vi Khi Nao, Stacey Tran, and Dao Strom. 

Vi Khi Nao is the author of the short stories collection A Brief Alphabet of Torture (which won FC2’s Ronald Sukenick Innovative Fiction Prize in 2016), and a novel, Fish in Exile. Vi holds an MFA in fiction from Brown University. This Fall 2019, she is BMI Shearing Fellow. Stacey Tran is the author of Soap for the Dogs (Gramma, 2018). She is the creator of Tender Table, a storytelling series about food, community, identity. Dao Strom is the author of the bilingual poetry-art book You Will Always Be Someone From Somewhere Else; a hybrid form memoir We Were Meant To Be a Gentle Peoplewith song-cycle, East/West; and two books of fiction, Grass RoofTin Roof and The Gentle Order of Girls and Boys.

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Oct
19
to Oct 20

Against Nature Conference (Los Angeles, CA)

  • Mount Saint Mary's University (map)
  • Google Calendar ICS

Joris-Karl Huysman calls it “ostentatious oddity.”  Steely Dan calls it “slinging dread.” And H.D.  got it going with “anagrams, cryptograms, little boxes, conditioned to hatch butterflies.” American writing thrives on its ability to reinvent itself. Responding to the current stress fractures of our social reality, writers have had to reach, to stretch, to express the inexpressible. They have had to go against nature to give voice to the nature of our existence. Against Nature, sponsored by the MFA in Creative Writing at Mount Saint Mary's University, will bring together poets, novelists, essayists, and performance artists to explore writing that is experimental, contrary, given to skepticism, and above all, innovative.

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